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Song-o-Scope: The Siddeleys’ “My Favourite Wet Wednesday Afternoon”

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A few years ago I worked at an Internet company next to a tall, lanky English guy (I’ll call him “Fred”) who seemed to know a lot more about music than your average corporate Web hack. He had well-developed opinions on bands I’d heard of and ones I hadn’t, and introduced me to a couple of very interesting groups.

Come to find out after several months that he was actually part of a little-known cult band back in the ’80s, a jangle-pop band from London called the Siddeleys. Though they were short lived (seeming mostly to be active from 1986 to 1988), they managed to catch the eye of BBC broadcaster John Peel, who was impressed by front woman Johnny Johnson’s almost Morrissey-like delivery. Peel invited the band to record one of his famous Peel Sessions, which yielded, among others, the track “My Favourite Wet Wednesday Afternoon” — one of the best-sounding indie tracks I’ve heard in a while.

Though the song is a little redundant (it could use an instrumental bridge somewhere after the third chorus), lyrically it contains imagery very evocative of a wet, nostalgic London afternoon. Lines like “Love that moves the sun, heaven and all the stars / This is just a fraction of what is rightfully ours” and  “I’ll take my dream to the grave with me if you don’t say something soon” are perfect for such a velvety-smooth Britpop track. The harmonies will echo in your memory for days. Thanks, Fred.

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(Album available on Amazon)

Oh yeah, and you'll want to download my book.

Written by Peter Kimmich

November 13th, 2009 at 1:32 pm

Posted in Song-o-scope

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4 Responses to 'Song-o-Scope: The Siddeleys’ “My Favourite Wet Wednesday Afternoon”'

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  1. You are welcome. Whoever you are!

    Allan Kingdom

    13 Nov 09 at 1:56 pm

  2. Wow, Allan, you found that fast. Thanks again for an amazing tune.

    Peter Kimmich

    13 Nov 09 at 2:08 pm

  3. There’s a definite set of personalities in the song. There’s the insistent rythm section, acoustic guitar with Jonny Johnson trying to convince the other party, the brilliant lead guitar that floats over the rest of the track, to do something. such urgency in everything but the laid back guitar work – I love the contrast.

    This has also now wedged itself into my head, thanks Pete.

    Captain Morgan

    13 Nov 09 at 4:27 pm

  4. Yep. I think the best songs are the ones that manage to combine complete opposites like that. Good analysis.

    Peter Kimmich

    13 Nov 09 at 5:08 pm

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